Guru Shrimathi Sivanuja Balaji Founder, Artistic Director & CEO

Dance Forms

Exploring Bharatanatyam, Kuchipudi, Mohiniyattam, Contemporary Fusion and Theatre through a lifelong engagement with movement, expression and performance.

THE PRACTICE

Rooted in tradition. Expanding through movement.

Guru Shrimathi Sivanuja Balaji is a Bharatanatyam performer, cultural leader, choreographer, Nattuvanar, artistic curator and educator with over 30 years of experience in Indian classical dance.

Her artistic practice is rooted in the Kalakshetra tradition while extending across Kuchipudi, Mohiniyattam, contemporary movement, theatre and performance.

01     CLASSICAL FOUNDATION

Bharatanatyam

Kalakshetra Bani

THE FOUNDATION

A tradition carried through practice.

An alumna of the Kalakshetra College of Fine Arts, Chennai, Guru Sivanuja Balaji carries forward a distinguished tradition of artistic discipline and classical excellence.

Her advanced training includes work under Padma Shri Adyar K. Lakshman and Shrimathi Krishnaveni Lakshman, with specialized training in the Karanas under Padma Bhushan Dr. Padma Subramaniam.

BHARATANATYAM

The vocabulary of the practice.

01  

Nritta

Movement

02

Nritya

Expression

03

Abhinaya

Interpretation

 

02    CLASSICAL FORM

KUCHIPUDI

A wider classical vocabulary.

Kuchipudi forms part of Guru Sivanuja Balaji’s wider training and artistic engagement with Indian classical dance.

03   

CLASSICAL FORM

Mohiniyattam

Grace in motion.

Guru Sivanuja Balaji is also trained in Mohiniyattam, bringing another classical vocabulary into her broader artistic practice.

04   CONTEMPORARY MOVEMENT

 

Tradition

      in Motion.

Contemporary dance movements and theatre choreography form part of Sivanuja Balaji’s wider creative practice.

05   PERFORMANCE

 

Theatre
& Performance

Performance and choreography extend the vocabulary of movement beyond the classical stage into theatrical storytelling and creative collaboration.

 

BEYOND FORM

An artistic practice
without
boundaries

Her practice extends beyond individual dance forms,
bringing together rhythm, research, choreography,
film and artistic collaboration.

01

Nattuvangam

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02

Rhythm

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03

Research

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04

Choreography

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05

Film

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06

Residencies

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